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Kashya-kashya muttiku
Der Sekundentraum

Bubble Jam

Exergie-butter dance

Lullaby for the Ancestors

Love me Tender

Why let the chicken run?

Risk in Plurality


The Promise

Ale Lino

The Ballad of Treasures

Boundaries that lie

The Black Ball

The Komodo FIles
Deformed Ethic of a Relationship 2.0
Deformed Ethic of a Relationship 1.0

The Fermata

The Visible Undone Behaviour


Cruise Control

Height of Limerence

My FIngers are the Triggers

I Love You

Perception of Patterns in Timeless Influence

The Seed

Silent Trip




Sonnete number 25

The dog barked at the back yard, while the eagle flew after the dark. And I....

When the box was opened, the fog disappeared. Alienation of the stone

I put a spell on you

Excused me, Sir!
Passionate Pilgrim

Exergie - butter dance extended

Feather fell down from the silence

Almost there

Feathers fall from nowhere

Kein Spiel
Conversation with the Black


Beethoven Sonata Marathon

Mama never bought me a pair of jeans trousers

John Cage_Song Books
I'm a ghost in my own house
Sweet dreams sweet
The Dust



Passionate Pilgrim


passionate_pilgrim_1 performed at the performed at the Maisson des Arts de Schaerbek, Brussels, 2010 Belgium, 2010     Photo: Hugo

To serve _ the project

When I was invited by Jorge Leon and Simone Augterlogny to be part of their project, which was called “to Serve” in 2009, I had no idea what I should do. I am not used to work based on subject chosen by other people. But this was to me a kind of challenge, and because I am interested to the subject to at the end.
In 2008 I met Jorge Leon for the first time in Brussels and we connected further with a documentary film project  “Vous etes servis” where he took his investigation and shootings in Indonesia in 2009.
“Vous etes servis”  is being nourished by encounters and interviews with Maids coming from various countries. The precarious and often abusive or illegal position of some of these workers lead Jorge to investigate in the field of contemporary slavery which in turn brought him into contact with organizations that are committed to reducing the growth of this phenomenon. Organizations such as The Centre for Equality of Chance and local centres who host the victims of human trafficking are engaged with analysing the impact of human trafficking; legally, socially and economically as well as offering practical help to the victims of such abuse.
The impact and sheer weight of these encounters, detailed in personal stories begged for further exploration and an expanding of the research to other medium than only film.
In „to serve“ Jorge and Simone collaborate to integrate and stage the raw material of documented experience with a more performative material stemming from their research into the archetypical representation of the domestic. They will question the mechanisms that are at play in the act of serving and being served and consider the inherent theatrical dimension that the power relationship contains. By combining their fields of practice in the collaboration they will propose a frame that can house multiple facets and perspectives on the chosen subject and allow for the co-habitation of different media and approaches to artistic expressions. Following from this, the project expanded to incorporate the contributions of specific artists or experts that Jorge and Simone invited to produce a work around the ideas of domesticity and servitude.

The project consisted of four modus:

  1. “The House without Maids” where performances from, Vlatka Horvat «Unhinged», Olga de Soto «Sous clé», Melati Suryodarmo «Passionate Pilgrim», Fiona Wright «Behind Doors», and installation works from Pauline Boudry & Renate Lorenz «Normal Work», Moira Zoitl «Theresa’s Room» were exhibited were presented.
  2. “deserve” a theatre piece directed by Simone Augtherlogny
  3. “Vous etes servis” a documentary film by Jorge Leon
  4. Seminars, talks, discussion


passionate_pilgrim_2 performed Villa Stucky ,Haus der Universität, Bern, 2011                                                        

Passionate Pilgrim

The project has challenged me to investigate and observe, by collecting stories, datas, information about the guest workers. Especially I come from Indonesia, where more and more agents and the flow of domestic workers becoming a big issue in labour and human rights. I could find many information about this issue but it was difficult to find a hint for my performance. It took me about eight months to work on this project without any specific result, until I went to Taiwan during the “Artrend” project in 2009. We travelled to five main towns around the island. When we stayed at the East Coast small village near Taidung, I met an Indonesian maid who worked at the small village noodle restaurant. I went to eat my lunch at the restaurant where she worked  and she told me a lot of stories about her journeys how to became a maid there and how she was not so happy about her job especially that it was not the job she supposed to do as written in the contract. She needed a help, but I could not do anything except helping her to connect with a friend who worked for the NGO for domestic workers protection. But at the moment, I was embarrassed and angry for being helpless. My sadness, reminded me to “passionate Pilgrim” a poem I have written, back in 2005.

Passionate Pilgrim
I was not sure
If I have seen it from the right distance
As I have never really been able to measure up
How far I have been walking and how closed I could be

I was not sure
If I have been looking for last destination
As I have never really been able to leave
And separate from old circumstances

If I´ll ever be sure
That this distance is real
I´ll be staying and praying
and holding you to my zero

If I´ll be sure
That there is a destination
I´ll be sailing
And searching you untill I get at your place

If it is just a zero place where we are
and nothing else in between
the emptiness where we´ll never get in.

Melati Suryodarmo, Gross Gleidingen, April 13th 2005

passionate_pilgrim_4 performed at the Maisson des Arts de Schaerbek, Brussels, 2010                                      Photo: Beatrice Didier

The Performance
Passionate Pilgrim is an five hours durational performance in which Melati Suryodarmo used one hundred pieces of mirrors and plastic pearls and was inspired by encounters during her journey and being confronted with identity and dignity issues, especially those which are related to her origin.  The body is collapsed when the passionate pilgrim begins.

Duration: 5 hours

Performed at
“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and Simone Aughterlony, Maisson des Arts de Schaerbek, Brussels
“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and Simone Aughterlony, Tanz Im August, Berlin
“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and Simone Aughterlony, Alcantara Festival, Lisabon, Portugal
“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and Simone Aughterlony, de Internationale Keueze, International Theater Festival, Rotterdam, the Netherlands
“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and Simone Aughterlony, Bern Biennale, Haus der Universität, Bern, Switzerland

“Passionate Pilgrim” for House Without Maid Project, curated by Jorge Leon and Simone Aughterlony, Villa Tobler, Zürcher Festpiele Zürich, Switzerland.


passionate_pilgrim_6                             performed at the Le Maisson des'arts , Brussels, Belgium, 2010    Photo: Beatrice Didier

passionate_pilgrim_8 performed at the Le Maisson des'arts , Brussels, Belgium, 2010                     Photo: Marcio Shimabukoro


passionate_pilgrim_10 performed at the House Sonneveld, Rotterdam, 2010

passionate_pilgrim_11 performed at Riehmers Hofgarten, Berlin, 2010